Here are some pictures we did a few weeks back of baby Sophia. Her mom ask for either black and withe or sepia/toned images. I did a little bit of both to see what style she likes better. I think this baby would look great with any finish.
Two weeks ago I met with Lexy and Aaron to shoot their engagement pictures. They are an awesome young couple with a fantastic future. The place they picked for the shoot was terrific, and although time was limited we had a great time taking the pictures.
Thanks for the opportunity.
Lately I have being playing with light a bit more than usual. After spending some time reading the Strobist blog http://strobist.blogspot.com/ I came up with the urge to make a different kind of photo using some found knowledge and an old idea I had running on my head for a while.
I wanted to have the light to come from an unusual place like in this picture here
but I wanted a bit more of ambient light around like in this image here
keeping up with the concept and making some lighting modifications I came up with this image here.
Click on image to enlarge
On this picture, I got just enough ambient light to show around the room but not so much to detract from the the main idea of a mystery box. It took a bit of playing around with the position and power of the lights (3 of them) and some reflections until I got what I considered a decent balance of ambient light and flash light. So this is how I created this picture.
The camera was a Canon 7D with a 24-70mm f2.8L set at 30mm and f5.6, Speed 60th, ISO 125. The flashes were triggered with Pocket Wizard Mini TT1 and the AC3 controller and 3 Pocket wizards Flex TT5 one on each zone A,B,C for fine control.
The first test picture I took was with the accent lampt by itself to determine the ambient light, color temp and exposure I needed for that side of the frame. Then I set up a Canon 580 EX @ 1/64 power with a snoot to shoot a controlled beam of light over the boxes on the side table ( I ended up gelling the flash with 3/4 CTO to compensate with the existing light from the lamp) and then set the camera withe balance to 4600K. The next step was to power Pandora’s box. There I put a Canon 430EXII @ 1/16 of its power with a 1/2 cut CTO and covered it with a paper towel to diffuse the light, also I lined the back of the lid box with foil to reflect light into her face from the front since the single light coming from the box was giving me some weird spooky shadows that I did not care for. With those two lights I ended up getting something like this picture bellow and that was the look I was trying to avoid. To dark around her.
Click on image to enlarge.
That is when the third light comes in to the rescue and made all the difference. Another Canon 580EXII at 1/16 power, set at 50mm and gelled with a 3/4 CTO cut . The placement of this light is the trickiest one since is the one that is doing a double duty (I learned this one at the strobist site on the lighting 102 files) this is the light that opened up the shadows on the left side to the frame (primary function) but it also created the reflection (specular light) on the headboard that defined and separated her head from an otherwise black background. The tricky part about this light is that it has to hit the headboard to create the reflection behind your models head and that reflection is what creates the separation we are looking for. Therefore the angle of the light and the one from the camera have to coincide in the right place and that is when the fine tuning part comes in. I will write a post about that but make sure you check the strobist site to get more details about it.
The one last thing that helped me wrap this image was the reflection of the lamp on the lid (I really like that) I have a few without it and I did not liked them as much, the lid looked to dark and flat. Small details like that make a big difference at the end.
Here is a quick image that shows up the set up I used to get this image done.
Click on image to enlarge.
Thanks for stooping by and as usual I’d appreciate any comments or questions. I also welcome ideas for new topics.
PS: A bigger and special thanks to my wife that put up with my ideas when coming tired from work.
Nothing new that hasn’t been done before but always fun to try. In a effort to organize my garage I stumbled into this frame and decided to use it for some fun portrait session.
The set up was not complicate it at all just a backdrop and a picture frame that I hung with a wire to the necessary eight. The light source was a Travelite 750 with a Photoflex 36″x48″ softbox place to camera left and a White reflector to the right to fill in the shadows. The Camera was a Canon 7D and the lens a Canon EfS 10-22 set a the 10mm end (to make it more cartoon looking, since I wasn’t going for the glamour look) set the lens at f 5.6. Iso was 100 speed 250 and custom white balance. The flash was triggered with a Pocket Wizard Mini TT1 and a Flex TT5.
The one thing I would recommend to make the post work simpler is to try to keep the frame as square as possible to the camera’s sensor plane to avoid to much distortions, specially working with such wide angle lens. Once in Photoshop I corrected the perspective to make the frame square before I did anything else. once the frame was square enough I made a selection of the subject put it on it’s on layer, created a new background and added a drop shadow the the bottom right side of the frame.
Thanks for looking and as always do not hesitate to comment or ask any questions, I do appreciate both.
Click on image to see larger.
This is from a December shoot I did for some Remax agents. As always it was nice to be there, there agents are fun, outgoing and great to work with.
Thanks for trusting me with your pictures.
Brian is always great to work with. No wonder he is constantly with the top producers of the office. He is very knowledgeable of the market, charismatic, and very focus when it comes to work. Despite he likes to have lots of fun when taking pictures.
Click to see larger
Jon Hatami is running for district attorney for the city of Santa Clarita. I was fortunate to meet with him and take the pictures for his campaign. I must say that he is a true gentleman; between him, his wife and his entire team made me feel welcome to his house and doing the shoot was a pleasure.
I wish you a very successful run and a bright future as Santa Clarita District Attorney.
Here are a few portraits I took of my friend Barrie. He’s a ring announcer for boxing and MMA. We did a quick session at a local boxing gym to update his business cars and some other media. The place was challenging due to very limited space and unattractive surroundings but it ended up working out.
The equipment used for the shot was a Canon 7D with a Canon EF 24-70 f 2.8L and Canon EF 70-200 f 2.8 is L The lighting was primarely done with 2 Calumet travelite 750, one was fitted with a Photoflex 48×36 soft box and the other one with an 11″ reflector with a 30 deg honeycomb grid. For some other shots I added a third light source, a 24″x24″ Lastolite soft box with a Canon 580 EXII. The lights were controlled by Pocket Wizard Mini TT1 and Flex TT5.
Thanks for looking and a special thanks to Barrie.
Click on image to see larger.
Here are a few more images done with an LED flashlight. The basic idea an camera settings are the same as in my previous post https://alexephotos.com/2011/11/08/photo-of-the-day-painting-with-light/
Again thanks for looking and following the blog.
Make sure to ask any questions you might have, or if you have any comments or ideas feel free to post them.
Click on image to enlarge.
Today I wanted to light a simple set up with a very simple light source… an LED flash light. The basic idea is that the LED will be the only source of light, therefore a tripod is a must (unless you can hold the camera for 30″ with one hand and use the flash light with the other)
One of the many benefits of lighting something in this manner is that the light can be place exactly where you want it, allowing for great freedom and creativity, also there is no expenses to do this kind of photography aside from the tripod and LED flashlight. The one drawback and quite frankly not a big deal, is that each picture is unique and there is no way to recreate it.
The camera was a Canon 7D and the lens a Canon EF 27-70 f2.8L. I set the camera to manual everything (including focus) ISO 100, F10, 30″ exposure manual, color temp to 10000K . Focus on your subject while you have light and then turn off the autofocus, that way the camera will not go crazy trying to focus in the dark. Make sure that whatever available light you might have on the room does not record on the sensor (do a test shot and make sure the image must be black) after that, get ready to shoot a lot of frames and make the necessary changes as you go.
Here is one picture I just did. If you like to know more details about the LED and how to use it so it does not appear in the frame while lighting, let me know and I’ll make another post with different images and a few more details on how to light the scene.
Thanks for looking.
Comments and suggestions are welcome.
Click on image to see full size.
Tonight when I walked into the house I noticed the carved pumpkin glowing on the table. I like the low light mood and decided to grave the camera and try to capture the scene the way I was looking at it. After trying a few different approaches, this is how I ended up doing it.
Canon 7D and Canon Ef 24-70 F2.8L on tripod. ISO 100 F5.6 and 1 second of exposure, and the color balance was set to tungsten. To camera left I used a Canon 580EX with a full cut of CTO with a Pocket Wizard Flex TT5 on a 2’x2′ Lastolite Ezy box, that was triggered with a Pocket Wizard Mini TT1 and a an AC3 Pocket wizard module in manual mode dialed down to minus 3. The idea was to capture the overall scene with the ambient light and use the flash to show a bit around it.
Thanks for stopping by.